Fitting Out A Sewing Box
Many of us sew in living history situations, and thus have need of an accurately fitted-out set of tools and supplies; others of us simply find the historic tools and styles charming, and wish to have something like them for our own modern use. Certainly, the ingenuity of past kits surpasses the modern plastic-and-sadness models available in most chain stores!
As a starting place for fitting out a sewing set, please visit Mrs Mescher’s excellent article, The Case of the Lost Thimble. In particular, note the illustrations of common styles of scissors… not a single pair of Chinese gardening snips to be found! It’s telling that the classic shape of scissors and shears and their mechanisms has scarcely been improved in a century and a half. For instance, all-metal Gingher 8″ dressmaker’s shears, and basic all-metal 4″ embroidery scissors are both virtually identical to diagrams in Mrs Mescher’s article. Modern nickel-plated brass straight pins (these are a size 20, and 1.25″ long) and period pins are visually very similar, ditto needles. It’s possible to outfit oneself with items that are fully functional for modern and historic sewing, historically accurate, and not hideously expensive.
Two new articles from author Anna Worden Bauersmith give some additional ideas on fitting out your own tools and supplies. What Is In Your Sewing Box links the reader to images of mid-century sewing, and well-reproduced sewing sets from modern living history enthusiasts. Sewing On The Go shows very portable sets that tuck efficiently into both historic luggage and modern messenger bags, for the mobile sewist.
Of course, one of the first questions to ask is: why am I a mobile sewist? In what circumstances did people at mid-century go mobile with their sewing tools, and what did they use to make that happen?
Sometimes, we may be trying to make settled sewing more portable for our own modern ease, such as portraying a mid-century sewing professional who would normally operate in a workroom or shop, but out of a tent or coming into a village for short-term portrayals. We need to be careful to not impose our own desire for portability over the actual historic practices of our sort of sewist. Investigating the actual practices of the past lets us find a good historic option, or a careful blend of several options, that give us the best solutions.
Going back to the Progressive Questions (What did the Original Cast actually do and use? Can I replicate that? If not, what other things did they actually do and use? Which historic option fits my needs and impression best?) is always the best way to start in the past, and explore a wide range of options for the modern living history impression, including the mobile sewist!