If you’ve been involved in living history for any length of time, you’ll have run across The Dreaded Snood (often in chubby rayon crochet iterations), and the Dreaded Snood Question (should I be wearing one? and if so, how, exactly?) You’ll have seen women with poofy bangs, and long, undressed hair swirled into an elasticized doily swiped from Grandma’s side table, like so much cooked pasta.  You’ll have seen them worn low on the brow, a’ la Lunch Ladies. You’ll have seen them used and abused (mostly the latter.)

Here’s a somewhat controversial opinion, though: wearing an actual snood for the mid-19th century is just fine in some settings, for some women.

I know. I just typed that out loud. Just breathe for a minute, while I explain.

The Oxford English Dictionary has a few options for figuring out the mystery of the Dread Snood, and how it might relate to mid-19th century living history wardrobes. (I love the OED. Such a useful publication!) According to the OED for “snood”, we have a few options, style-wise:

1: Several sources refer to the Middle English “fillet” or ribbon tied around the hair of a young, unmarried Scottish woman as a sign of her chastity and maiden status, and

2: Most of the derivations in multiple languages and eras come from words meaning ribbon, cord, string, or band,  or

3: It’s the floppy bit of fleshy appendage that dangles and covers a turkey’s beak.

That floppy bit over his nose is a snood.

Let’s go with the former two, rather than the slightly ooky latter, shall we?

Setting aside fleshy turkey bits, we’re left with something shocking: the snood isn’t the net part.

Beloved by Lunch Ladies everywhere, but Not A Snood.

It’s the ribbon bit. Not the net… look to the ribbons! (1866) Ribbon = Snood

 

Take a look at original images from the mid-19th century, and you’ll see a lot of women, from young to fairly mature, sporting nifty, fine-silk nets, many similar in scale to a modern “invisible” setting net (and those make a great, cheap approximation, actually). The net appears to be attached to some sort of structured, wired band over the crown of the head, and the band is often ornamented with folded or pleated ribbons, bows, and other such frippery. Simply-dressed hair is kept tidy by the net, and the visage is ornamented by the snood portion: the ribbon bits.

 

Why do we see them at mid-century? Blame Queen Victoria and Sir Walter Scott, the former for her penchant for Highland Romanticism and Nostalgia (and no one did Nostalgia quite like Queen Vic!), the latter for his romantical semi-medieval Scottish adventure novels that were all the rage in the era. They’re a fairly natural evolution of earlier hair ornaments, and very suited to so many faces and heads.

 

So, wear a snood if you want to wear one. Just make sure you know which bits you’re talking about, and how to use them well. A decorative hairnet with ribbon embellishments (snood!) is great for any upper working class, middle class, professional class, or higher impression, as a pretty accessory item for non-working settings, worn over simply-arranged and pinned hair. It can also be a great option for helping blend the join between real and false hair, for those of us with short modern styles, so long as the settings and activities are also compatible with using a fashionable accessory.

 

L to R: Snoody Friend, Reluctant Bride, Snoody Friend, Swipey-Stealy Friend; by Toulmouche, 1866 by Fattori, 1861; notice the snood (ribbon) on top, and also: she is rocking the fine white bodice and silk jacket combination! Studious, and Snoodius!

 

“The work of Charity is ever a work of pleasure, and the great work of charity to sustain that noblest development of this cruel war, the Sanitary Commission, in which we are all now enlisted, is bringing pleasures in its train we had never anticipated. A movement which so thoroughly enlists the sympathy of all classes, and all ages, from the millionaire to the poor sewing woman; from the grandsire to the school girl, was perhaps, never before witnessed. All are doing something, contributing each according to his or her means or opportunities; and what an amount of latent power to do good has thus been developed. How many new ways of assisting in the good work have been discovered. All that is asked is that each shall contribute of what they have; if they are not blessed with riches, then give of their talents, their art, their skill, and there are none too poor but can contribute in some of these ways to the work in hand.”

~The Brooklyn Daily Eagle, 23 January 1864

One interesting aspect of the American Civil War is the degree to which everyday citizens became involved in the war effort. All across the nation, from areas directly affected by the battles, to areas far removed from the conflict’s front, ordinary citizens came together in a multitude of ways to support “our boys”—regardless of the color of “our boy’s” uniform.

The Aid Fair was not a new idea; expositions and fairs had become a popular means of fundraising and entertainment in the first half of the century. It was natural, then, to use the arrangement of a Fair as a means of raising the funds and supplies needed for the war effort on both sides. Read the rest of this entry »