Elizabeth Stewart Clark & Company

Civil War sewing case

I’m a FanU Fan, Too!

Ever since Fanciful Utility debuted three years ago, I’ve been making up items from its pages to give away at Sewing Academy workshops, where they’ve been received with delight. But, as with cobbler’s children going barefoot, my own sewing supplies were kept in a series of battered plastic ziploc baggies!

Finally, at the Montana Sewing Academy Retreat in spring 2015, I determined to end that sad habit, and make something for MyOwnSelf!  My Little Case... Click to embiggen!

My Little Case… Click to embiggen!

I decided to make my case to finish out at about 2″ wide and deep, and 4″ long. I knew I wanted a tool box and pin-cushion, a scissor sheath and a bit of wool for a needle-keep. And inside Fanciful Utility, I found all the bits and pieces to make my project both consistent with historical examples, and My Very Own.

My challenge to myself: use more than one fabric. I have a… thing… about visual coherence. I really, really need for colors to have compatible tones and shade. It’s hard for me to mix patterns, particularly across fabric print collections. Scrap quilting is Not My Thing. I’m in awe of people who can put together items that have loads of different prints!

I also have a history of challenging myself to do odd things. Like the time at university when I made myself do the city newspaper crossword every day for a week, to see if I avoided crosswords because I was bad at them (in which case, it was a character flaw, and I just needed to learn to do them well), or whether I was good at them, but just didn’t like them (in which case I gave myself permission to never do another one in my life.) (I’ve never done another one in my life.)

Inside the Case... full-size, in all its glory!

Inside the Case… full-size, in all its glory!

So, this case has not one, not two… but SIX different cotton prints! There are two on the exterior: the main blue print, with a narrow piping of a red coral-branch-type print where I flipped the blue print around so it would be “right side up” when the case was closed.

Another branching print forms the base of the interior. A tiny red floral is the inside of the toolbox, with a striped print used on the box dividing wall and removable pincushion (which is filled with wool roving).
I used a brown-based print for the scissor sheath, and a bit of white wool felt for the needle-keep.

The asymetrical featherstitch on the needle-keep was put on first, then the blue buttonhole stitch to finish the edge; a blue thread hinge anchors it to the interior. The scissor sheath has a full lining, and was felled securely to the interior, then I worked a backstitch in little mounds around the edge to tie it visually to the blue used elsewhere in the case.

The toolbox is large enough to hold my thimble, wax, a seam ripper (modern), and about six slender spools of Gutterman’s cotton, or truly loads of thread winders when I get those lacquered and in there.

The case closes with three little hooks and three little blue thread eyes on the outside. It stays shut very well!

I made the case entirely by hand (as is historically appropriate), in short and random moments of down-time during a multi-day sewing retreat, in which I was everyone’s minion. It was a great retreat, and my own sense of accomplishment as I loaded my tools and supplies into this compact little case at the end of the weekend was such a great feeling! The whole process of making the case and each component was a relaxing, enjoyable thing. I love these kinds of projects, don’t you?

Making your own case? You’ll want your copy of Fanciful Utility, of course! Here’s a previous post about getting your case set up, too!

Don’t forget to pop over to author Anna Worden Bauersmith’s blog today–look at the great resources she’s making available!

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About The Sewing Academy
With a focus on the 1840-1865 era, The Sewing Academy is your home on the (internet) range for resources to help you meet your living history goals!

Elizabeth Stewart Clark has been absorbed by the mid-19th century for over 20 years. She makes her home in the Rocky Mountains with her husband, four children (from wee to not-so-wee), far too many musical instruments, and five amusing hens.

Email Elizabeth Or call 208-523-3673 (10am to 8pm Mountain time zone, Monday through Saturday)
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