Elizabeth Stewart Clark & Company

Pressing Matters

Frere, Pierre Edouard, 1858; The Laundress; Haworth Art Gallery

I’m working on a fun commission and decided to do some tracking to see if I could verify something I’ve thought about, which might prove helpful to anyone else who is plotting some sewing shenanigans.

My theory: if I’m machine sewing, I spend 2-3 minutes pressing for every 1 minute sewing, for a 2:1 or 3:1 ratio of pressing to sewing.

Some results, with me sewing and pressing at a comfortable pace, not zipping along at industrial speeds.

  • 70″ petticoats for toddlers: pressing run & fell seams: 15 minutes (3 seams). Machine sewing the run and then fell: 10 minutes (3 seams) 3:1 ratio pressing to sewing
  • 130″ petticoat for teen: pressing run & fell seams: 21 minutes (3 seams). Machine sewing the run and then fell: 15 minutes (3 seams) 3:2 ratio pressing to sewing
  • 70″ petticoat: pressing hem: 6 minutes; machine sewing: 4 minutes  3:2 ratio pressing to sewing
  • 130″ petticoat: pressing hem: 14 minutes; machine sewing: 7 minutes  2:1 ratio pressing to sewing
  • 70″ petticoat: pressing 3 tucks: 14 minutes; machine sewing 3 tucks: 8 minutes 3.5:2 ratio pressing to sewing
  • 130: petticoat: pressing 3 tucks: 40 minutes; machine sewing 3 tucks: 20 minutes  2:1 ratio pressing to sewing

This is exciting! My sense of how I use my time sewing versus pressing was more accurate than not! I find it very interesting that the overall ratio holds up even when looking at the differences in hems and tucks versus seams. I anticipate there will be relatively less pressing to sewing time as I move into bodices and sleeves that don’t use run-and-fell seams, so I’m continuing to track. And of course, the handsewn elements have a very different ratio than machine sewing!

Pressing is an exceptionally useful tool in sewing. With heat and steam, I selectively shrink extra fullness caused by ripping skirt panels to size, restoring the edges of the fabric to very straight grain. I can get a nice crisp initial and final fold on a hem, for accurate, even hems that are easy to stitch. Tucks are simple and straight and evenly spaced because the fabric is smooth and flat and on-grain.  I can work 1/8″ wide run-and-fell seams easily, because they’re pressed well. With good pressing, I can usually sew without the use of straight pins.

When pressing a run-and-fell seam, here’s my process:

  1. Stitch the seam with a 3/8″ allowance
  2. Press the seam as-sewn on both sides
  3. Press the seam flat to one side
  4. Press the seam flat to the other side
  5. Press the seam flat open
  6. Trim the allowance that will be enclosed, by half
  7. Press the overlapping seam to cover the trimmed allowance
  8. Tuck the raw edge of the overlapping seam under
  9. Press firmly to create a nice folded edge, even width.
  10. Stitch the folded edge
  11. Press whole seam flat.

Yes, that’s a detailed TEN steps, and SEVEN are pressing steps.

There is a big visual difference in finish projects that have used good pressing throughout construction, versus those where pressing has been neglected. Good pressing allows you to have even, unpuckered seams, hems, darts, and facings. Your cuffs don’t go on skewed, or your bindings twisted. Hems don’t suddenly have a gathered look in the last 4″, or diagonal folds creased into the lower edge. Seams match up well, and lay flat, with no odd ridges of fabric along the sewn edge.

If I am tasked to list the topmost sewing tools I use to good advantage, I’d say they include: sharp, fine needles with a good eye (I like S Thomas & Sons crewels, #10, for all-purpose handsewing, and I buy them by the multi-pack from Wawak.com); a good thimble that fits well; beeswax; quality all-cotton threads; fresh sewing machine needles changed every 4-6 hours of sewing time; a good basic steam iron with a steam burst function and no auto-shut-off (I don’t like waiting for it to reheat when I’ve just stood up to press again.)

As I’m also a bit of a klutz, I use $20 irons from Waldemart (The Store That Must Not Be Named), currently a Sunbeam model, so I don’t spend too much when I’ve knocked it onto the cement four too many times.

If you need to get some good pressing time in, consider adding petticoats to the history wardrobe trunk, for anyone who wears skirts! You’ll find the free Petticoat Project in the Compendium (scroll down to download the PDF, excerpted from The Dressmaker’s Guide), as well as a tutorial for sewing growth tucks in the blog portion of the site. And as always, let me know how I can help you!

I hope it helps others to gauge their use of sewing time by anticipating their pressing needs. It really will improve your experience and results!

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With a focus on the 1840-1865 era, The Sewing Academy is your home on the (internet) range for resources to help you meet your living history goals!

Elizabeth Stewart Clark has been absorbed by the mid-19th century for over 20 years. She makes her home in the Rocky Mountains with her husband, four children (from wee to not-so-wee), far too many musical instruments, and five amusing hens.

Email Elizabeth Or call 208-523-3673 (10am to 8pm Mountain time zone, Monday through Saturday)
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